Arkadia

Статті

• THE USA SAXOPHONE SCHOOL IN STANDARD STYLE QUALITY AND THE COMPOSITION OF PHIL WOODS

  D.V. Androsova, O.D. Karpov

  5-10

  • PDF (Українська)

• BASSO-CANTANTE AS THE ORIGINAL QUALITY OF THE TIMBERS OF OPERA SINGING BASED ON ITS ECCLESIASTICAL GENESIS

  D.V. Androsova, L.P. Shoshyn

  11-16

  • PDF (Українська)

• PARADOXES OF PIANO EXPRESSION OF TRADITIONALISM AND MODERNITY IN UKRAINE AND IN THE WORLD

  L.О. Ivanova

  17-23

  • PDF (Українська)

• “QUARTET FOR THE END OF TIME” O. MESSIANA AS THE EMBODIMENT OF THE SACRED IDEA OF THE BAROQUE CHURCH SONATA

  T.F. Levytska

  24-29

  • PDF (Українська)

• THE TRIAD OF CONCEPTS SYMBOL-TRADITION-CUSTOM IN DETERMINING THE ATTRIBUTION OF CULTURAL KNOWLEDGE AND CORRELATION WITH THE CONCEPTUAL TRIADICITY OF SEMIOTICS AND ART HISTORY

  O.М. Markova

  30-35

  • PDF (Українська)

• SOCIAL AND AESTHETIC FUNCTIONS OF STRINGED AND PLUGGED INSTRUMENTS IN THE ART OF THE XVI–XVII CENTURIES

  O.L. Oliinyk, A.G. Yaloza

  36-42

  • PDF (Українська)

• GENRE AND DRAMATIC ASPECTS OF F. LISZT’S CYCLES IN THE CONTEXT OF HIS SPIRITUAL EXPERIENCE

  A.V. Sokolova, Ye.V. Beinyk

  43-49

  • PDF (Українська)

• ICONIC IMAGE AS A MODEL FOR BUILDING A NEW REALITY

  А.К. Mazur, V.Yu. Styrbul

  50-56

  • PDF (Українська)