NATIONAL ATTRIBUTIONS OF SYMBOLISM IN AUTHOR'S CREATIVITY (ON THE EXAMPLE OF THE PERFORMANCE OF K. SHYMANOVSKY'S C-MOLL SONATA)

Abstract

The purpose of this study is to identify national-stylistic and artistic-author's marks of creative achievement, on the example of the performance of the First Piano Sonata by K. Szymanowski, in his principled Europeanism, the understanding of symbolist dimensions, which in the specifics of the performance efforts demonstrate the cultural ground of the national intellectual reserve. The methodological basis of the work is determined by hermeneutic and cultural-comparative principles of the research method, laid down by the cultural-artistic developments of J. Baudrillard, which have a fundamental parallel to the efforts of domestic scientists of the level of the above-mentioned authors, as well as O. Roschenko, V. Shulgina, O. Yakovlev. The scientific novelty of the work is laid down by its originality of the vision of the national phenomenon as directed not only by the author's family and blood affiliation, but also by the cultural environment, authoritative for the creative personality, especially as regards the national bidirectional, Polish and Ukrainian, expressiveness of K. Szymanowski's heritage. Conclusions. National features of the representation of symbolism mediated by religious and spiritual stimuli of the worldview choices of the subjects of creativity, laid down by the realities of the creator's environment, the cultural choice of the artistic environment, which activates the intersections of multi-national origins in the understanding of symbolist settings on the phenomenon of “delusion”, which is fundamentally different from the romantic “dream”. And it is the performance generalizations that place decisive signs of the national orientation of the symbolist “civilizational mysticism” of the worldview, as observed in the presentation of the First Sonata by K. Szymanowski, designed for the pro-German organized pianism of A. Rubinstein, which in itself marked a cultural turn in the Slavic national world, although the Franco-Slavic Chopinianism remains significant, which laid the leading performing attribution of the “premonition of Scriabinism” in the game.