HUMANISM AND MUSICAL ART

Abstract

The aim of the work is to systematize historical interpretations of the concept of humanism and to emphasize in it the relevant aspect of relying on the Christian-Orthodox principles of worldview in the form of identifying humanity with mercy and tolerance towards dissenters. The methodological basis is Mogilа traditions in the concept of the noosphere of V. Vernadsky, which combines the material and ideal activity of man with the energy of the manifestations of both its components, the psychologized perspective of philosophy, stated by A. Vasylkov in the concept of “recognition”, which has a continuation in the concept of the theory of articulation of the author of this essay, etc. The scientific novelty of the work is determined by the independence of the idea of a religiocentric approach to the concept of humanism, despite the generally fair criticism by modern church circles of the humanistic program of the Renaissance and the inertia of its acceptance in the New Age, by the appeal to artistic experience as a carrier of humanistic factors of human creative activity, and also in interaction with the category of “happiness”. Conclusions. The publication touches on a topic that will never be exhausted in life: humanism as humanity, a positive attitude towards man as a worthy part of the living world. Undoubtedly, at the center of nature, society and thinking is a person who wants to live in peace and friendship with his surroundings, to be happy and desired by those around him, and this is being as love for all that exists.